Tuesday, 8 October 2013

Friday, 13 September 2013

Like your job? Want to keep it? Then listen up. Here's what to do when you don't like the boss... and you suspect he doesn't like you!

by Dr. Jeffrey Lant.

Author's program note. I keep a special box of heavy-duty tissues on hand for  just this situation. A good friend of mine called yesterday and was low, low, low.  Reason? He's just been given notice that his high and worthy services were no  longer required; that he had reached the end of his road at Corporation X;  that it was over, all over in fact, but the shouting and the obligatory "beat-it, maggot"  luncheon with Mr. Big and all his minions; your best friends until the fatal moment of  "parting is such sweet sorrow", now merely brown-nosing sycophants having trouble  remembering  "Who dat?" when the conversation turns to you, as it will do less and  less, minute by minute. You are dead, so dead, deader by far than the proverbial  door nail.

That's sad. But what's sadder is that you connived at your own demise, loading the  gun, playing "Russian roulette" with 6 bullets loaded, not just one, determined to do  yourself a mischief... You fought the law... and as that kick-me sign on your posterior  gives ample proof... the law won. Adios. Vaya con dios, muchacho. Buena suerte, chump.  And to think you did it to yourself!

"I Fought the Law".

In 1958 Sonny Curtis wrote a peppy little tune called "I Fought the Law". It was recorded  in 1959 when he joined the Crickets after one of the saddest events in popular music  history, "the day the music died", February 3, 1959; the day Buddy Holly ascended into  eternal legend, eternal life, where the cats are always cool, the platters always hot, and  the cutest girls always know your name and are always waiting by the phone for your call,  ready to tell you what you've always wanted to hear. So it went for Buddy Holly. But not for  Sonny Curtis and his squib.

The song made it onto the Crickets 1960 LP, "In Style with the Crickets", and the next  year appeared on the b-side of their single, "A Sweet Love". There it died... for "I Fought  the Law" never got any air time, not a minute. Even when Milwaukee's Paul Stefen and  the Royal Lancers covered the song in 1962, the results were dismal. Schlitz made  Milwaukee famous, not the Royal Lancers and their attempt to save the music. But  the song which should by any logic at all have croaked, just wouldn't die, although  those associated with it did.

In 1964, Sammy Masters recorded his version of the tune, but it didn't go anywhere either  in what was becoming the musical equivalent of seeing who could pull Excalibur from  the rock and so become the king. The next artist to try mouth-to-mouth was Bobby Fuller,  a West Texas boy who in 1964 turned "Robbing people with a six gun" into attitude... and  as every smooth operator knows, your attitude determines your altitude.

Fuller, more than just a pretty face, knew that timing was everything and so took advantage  of the fact that both he and his tune had a pulse, then did what was necessary to switch  to a major label -- Del-Fi Records itself under Mustang Records -- where he picked up  three galoots named Randy Fuller, Jim Reese, and DeWayne Quirico, and a name in  musical history, for at long last in 1965 the song soared... while Bobby Fuller, aged  just 23, his song on the Billboard Top 100 chart, died; a victim of either suicide or murder,  depending on how your tastes run.

Either way, it made the song, now seasoned with the lurid and macabre, hot, hot, hot...  to the benefit of a group called The Clash. In 1979 they turned it into a song that made  parents everywhere cringe, bemoaning the decline of civilization; the rise of "music"  seasoned with an insistent, pulsating beat, produced by the Kremlin, then turned into  fluridated water.

It was now a pot of gold and, according to the Rock and Roll Hall of Fame, one of the  500 "Songs that Shaped Rock". Go now to any search engine and be prepared to be 17  all over again, the master of every gyration and astonishing move.   

Now let's make sure that any clash with your boss turns out as well...

Solving the problem is easiest when there is no problem to solve.

Consider this revolutionary idea: you don't just work for a company; more  importantly you work for a boss; an individual who, to a considerable extent, has  your future, good or bad, in his gift. If you make yourself useful... if you make yourself  invaluable... if you make yourself indispensable, your future is as secure and  assured as any future can be. Thus, ask yourself whether on your job today you  did anything to help that all-important boss... or did you engage in the usual  badinage at his expense, criticizing, carping, insinuating, belittling, denigrating,  second guessing, under cutting, end running, deploring, dissing, in fact doing  anything and everything that diminishes the boss while, of course, making you  look marvelous.

In writing this, I am thinking of a person I know whose speciality is having the  last word on any subject, making sure she emerges from any encounter with  her know-it-all credentials firmly in place, the boss well and truly put in his.

It goes without saying that my acquaintance will be jobless sooner rather than  later. Even without knowing her boss, I know enough about human nature to know  that even at this moment he is considering how best to get rid of his (clueless)  Nemesis. Every time she opens her capacious mouth, emitting another gratuitous  and often insulting observation, the boss' schedule for getting rid of her advances.  She talks. He hears. She affronts. He resolves.  As Sherlock Holmes would say,  the game's afoot!

But here's the rub, the minute the boss decides there is a game and that game  involves getting rid of you, you're DOA, soon to find yourself in the queue for  unemployment benefits. Is this really what you want? Is your need to diminish  the boss such that you'd jeopardize your job and all its emoluments to do so?  If so, consider this crucial  insight from Niccolo Machiavelli (1469-1527)  the most influential political consultant ever, the most insightful and the most  stylish in lace ruffles and tights.

In his renowned book "The Prince" he offered advice which every upwardly mobile  power player forgets at her peril: "when you strike a king, you must kill him... or  he will kill you." Indeed. The problem offers no easy solution. Kings are difficult  to liquidate under usual circumstances; they have to make breathtaking errors  usually involving, but never limited to animals, government charge accounts,  sexual inversions, and flagrant outrages publicly known and deplored, the whole  bolstered by e-mails frequent, revolting. disgusting, and so read with relish by all.  If you don't have such evidence, you're certain to be the one that fights the law...  and loses. Here's some good advice to forestall this looming tragedy and acute  dislocation and loss.

1) Don't fight the boss. Become his chief (and in due course lavishly rewarded)  aide de camp. You'll find the living is easier this way.

2) If you cannot rise to the eminence (and intelligence) of the point above, then  you must learn (and learn fast) to cut your negative comments about your boss  to the barest minimum.... NONE! Like your grandmother used to say, "If you cannot  say something nice, say nothing at all."

3) Beware of your office "friends". Say nothing to them that you would not want to  be printed on the front page of "The New York Times". Keep in mind that when  telling gossip delivers more benefits than keeping you as a friend, that gossip  will surely be reported, losing nothing (you may be sure) in the telling.

4)  If you reach this point, you are, alas, incorrigible, in need of a major lecture  on the desirability of clear thinking and self preservation. You need to be told,  and at once, that you are well and truly on perdition's path, heading for trouble,  and oceans of it. Then start revising your resume; your imminent ejection from  your current job ensures you will be in the job market soonest.

5) Learn these lyrics,

"I miss my job and I feel so sad/ I guess my race is won/  Like it's the best job I ever had/ I fought the law and the law won/  I fought the law and the law won.

Now grab your spot in the best panhandling location and start warbling.

About the Author
Harvard-educated Dr. Jeffrey Lant is the author of several print books, numerous ebooks, and over one thousand online articles.
Republished with author's permission by Digokgwe Mokone


Monday, 9 September 2013

Saturday, 10 August 2013

Oh me, oh my! My writer's well has sure run dry. Now what? Suggestions foroutsmarting writer's block.

by  Dr. Jeffrey Lant

Author's program note. Sooner or later EVERY writer will face the ordeal of the blank page and come up with -- nothing! At such a moment, you may well fall victim to malaise, running the spectrum from anxious to suicidal. The longer the seizure lasts, the worst these reactions will be, until one completely miserable day you reckon you can never write another word again... and this can bring on not only sadness but a kind of death from which, like the real thing, there is no escape.

To help you through this situation when it inevitably occurs, I am going to pack this article with one practical suggestion after another. You may not need them now; may not need them for a decade. But keep this article readily at hand for when you do.

First suggestion. Use a special song to raise your mood and get you moving.

Have a song easily available that makes you want to surge. I have a list of favorites, all selected for their proven ability to lift my spirits and put me in the mood to give something to humanity, something like the project I'm currently writing. "Maniac" from the 2001 film "Flashdance" featuring Michael Sembello always works. I indulge myself, acting kid crazy as everything conduces to get you.... your brain.... and your prose flowing again. You'll find this song in any search engine... turn it on, let yourself go, until you feel the unstoppable energy that this kind of insistent music delivers.

Second suggestion. The minute you get nervous, frustrated, flustered, hot under the collar, STOP and STOP at once.

The worst thing you can do is force yourself to write. Not only will the quality of what you're writing be tainted, but you'll hurt yourself and begin to think the writing game is not worth the candle, the worst possible conclusion.

This particular advice can be very difficult to follow. After all, you've been productive before and aim to be productive again just as soon as possible. Surely, if you force yourself to write you can push the blockage to one side and flow, right? Instead, sit down at your writing desk, write as much as you can that flows naturally. Stop when the flow ceases...

... even if you've only managed to write a single word. Pushing yourself during a block never works positively and can easily affect your self-esteem and self-confidence when the push doesn't work.

Third Suggestion. Keep your regular writing hours, even if you cannot write your name on the page just now.

Good habits are the key to good, constant, always flowing writing. Thus, it is important during draught days to do the precise things you did during the fat days. What you produce may not be substantial -- yet. But even if you find yourself in the position of Oscar Wilde ("in the morning I put in a comma; in the afternoon I took it out again.") that won't matter. Why? Because the most productive writers are like Pavlov's dogs... trained to write whilst in your sanctified writer's place.

Fourth Suggestion. Still stalled? Do this!

First of all, notice I use the word "stalled" to describe your current unproductive situation. It is a word that implies you were moving and the problem being solved you will regain your accustomed outcome... and peace of mind.

Thus, when stalled do this... Take a walk around the park (if you're lucky enough like me to have one right out the front door, so much the better). Find yourself a shaded bench where the view is congenial. Take out the pad and paper every writer must always carry; select an object and -- describe it, fully, completely, without leaving anything out of your description... writing not only factually but with as much lyric beauty as you can draw from the "dry" well at the moment.

The simple task of describing the flower bed at your feet starts the productive juices flowing... even if you're able, just now, to write only a single word (tree) with just one adjective (green). The thousand mile journey starts with the single step; yours starts with a single word... and any word will do.

Fifth Suggestion. Copy a page of another's prose... to get you moving.

Nothing happening so far to get your stalled skills working productively again? No worries! Take a passage from a favorite book or article, open a file and enter this text. As you do, engaging brain and nimble fingers, you're performing a function all prose writers regularly do, in my case almost daily, that is entering reference material.

When you've finished so entering a block of text, go on and comment on what you've entered. What was good about the passage entered, what was bad, what inspired, what underwhelmed? In just a minute or two, you're writing... perhaps not yet up to your usual level. But what of that? Your creative faculties are working; your imagination is working, your fingers are working... and soon the flow of new ideas, new insights, new observations and new perceptions will be working, perhaps even better than before.

Sixth Suggestion. Read from your own prose.

Far too many writers fail to read their prose aloud. This is bad for several reasons, including to make sure all sentences are balanced, harmonious, with every word the right word. Merely reading your prose cannot deliver the optimum result; reading aloud can.

Thus, pick up the first page of anything you've written, not necessarily lately either. When you've finished reciting this page, sit down at your computer and write a second page to accompany what you've already written and read. Again, by positively positioning yourself and doing your usual tasks, you ease back into your stride and the production and presentation of the right words in the right order.

And if none of this works?

Seventh Suggestion. Close, relax, start again tomorrow.

With the best will in the world and the diligent adherence to these recommendations, your block may not end in a day, a week or even a month. Thus must you continue to implement these suggestions even when they may not be immediately helpful.

Therefore, begin each writing day as you always have, at your usual time, and with your usual matutinal rites. Do not skip a single one. Similarly eat at the usual times; run your usual errands in the usual way. And above all, close your shop at the usual time with the usual activities, such as preparing reference materials for next day usage. Never stay up late forcing yourself every step of the way; that may well have been a contributing factor to the blockage in the first place.

Guaranteed results.

Follow these steps, and I guarantee your days of obstacles, impediments, blocks and absolutely no progress will be history soon enough. Moreover, because you have experienced what is often a terrifying situation, you are better prepared to see it coming and take immediate action to overcome it. Once you do, dance the "Maniac" gyrations for yourself. They'll put you in just the right frame of mind to produce that Niagara of high energy language, the kind your readers are thrilled you never stop writing and always produce so predictably and so well.


About the Author
Harvard-educated Dr. Jeffrey Lant is CEO of Worldprofit, Inc., providing a wide range of online services for small and-home based businesses. Services include home business training, affiliate marketing training, earn-at-home programs, traffic tools, advertising, webcasting, hosting, design, WordPress Blogs and more. Find out why Worldprofit is considered the # 1 online Home Business Training program by getting a free Associate Membership today. Republished with author's permission by Digokgwe Mokone http://tinyurl.com/o4jhlat

Saturday, 30 March 2013

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